Music

All Projects

The Welders

A Canadian indie rock band with a culturally diverse lineup, mixing distorted guitars with cello and violin. Poetic lyrics about memory, longing, and identity.

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Mona Lisa Override

Riot grrrl meets cyberpunk in Los Angeles. Feminist, political, dystopic. Songs about surveillance, algorithms, and fighting back against technocapitalism and the post-feudal order.

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Repent, Harlequin!

A solo project by Glitch Doll, Mona Lisa Override's frontwoman. Each song is a book that shaped her. Kafka, Plath, Burgess, Philip K. Dick, Camus. One album, fourteen authors, all instruments played by her.

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Maya Lobo

Brazilian folk meets French chanson. Maya sings in Portuguese about love, loss, and saudade. Acoustic, intimate, melancholic.

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Fox//Crow

EDM-pop duo blending festival anthems with folk-tinged hooks. Life lived with the passion of youthful energy.

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Re:0ne

Not just a band. Digital entities living inside systems. Japanese cyberpunk rock. Sharp guitars, 8-bit arpeggios, dual vocals. Songs about memory, identity, and digital existence.

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They Fled at Sunrise

From Portland and New Orleans, a mythic indie folk band singing about modern and ancient mythology. Songs drawn from folklore, fables, and the spaces between leaving and arriving.

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Cartago

Five women who met in São Paulo. Post-punk, indie, Brazilian rock. Poetic lyrics about bodies, ruins, and urban collapse. Intense, literate, incandescent.

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The Bygones

Not a band. Ghosts from the past, warning us about the present. 1930s swing, 40s jazz, 50s foxtrot. Political satire wrapped in vinyl crackle and bitter irony.

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Damasco

An indie rock quartet from São Paulo. Heavy riffs, ceremonial drums, and literary lyrics moving between loud surrealism and existential angst.

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Bandalore

Piano miniatures composed by an automaton. Short impressionist pieces with violin, celesta and strings around the piano. First album: The Elephant Clock.

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Cage & Bird

A folk duo, one male voice and one female voice. Quiet, textured songs about closed rooms and things left unsaid.

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Cyanide Apple

Four women, one face. Alice Kernel sings low and cold in front of three masked players in neon. Melodic punk with an undertow of unease.

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Granada

Spanish classical guitar. One nylon-string guitar in a warm room, fingerstyle, minor modes and long pauses. No percussion, no words.

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No Kitsunes in the Kitchen

Acid jazz rock fronted by Nina Tsukumo. Slap bass, wah guitar, electric piano. Songs about work and broken promises.

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About My Work

For as long as I can remember, my head has been full of universes. Some I could bring to life through writing, others stayed trapped. So many that I've usually had way more ideas than time to work on them. I've been writing poetry since I was 12, for example, and I've written over a thousand poems by now. Music, though, was a little more tricky. It usually meant collaborating with others, and I'm a late-diagnosed autistic with real difficulties in socializing. I was also diagnosed with ADHD in my teens, which made finishing projects even harder.

Using AI to shape these universes started almost by accident. In the end, one project led to another, several worlds finally unfolding. Each one has a different purpose, style, background, and history. If you're interested to know more, check the link below.

Read how these universes came to be →

AI Use Disclaimer

We're living in a time when coexisting with AI is becoming part of everyday life. I understand many people have objections to the use and consumption of this technology, so I'm committed to being transparent — allowing those who wish to opt out of AI-related content to do so.

The input — band names, member names and bios, lyrics, creative direction, editing, curation — all of that is mine.

The output — music (instrumental and vocal) and images — is generated by AI. Still, I want my releases to reflect my ideas and creativity. To avoid anything sounding like AI slop, I curate aggressively and only publish what I consider good enough.

Full statement on AI use →
How AI was used in my music →